L'Harmattan Open Access

Literary Code-Switching and Beyond. With an essay by Sabira Ståhlberg and an interview with Mohcine Ait Ramdan

Marianna Deganutti(author)
Abstract
This monograph delves deep into the realms where diverse linguistic and artistic codes converge to shape the very essence of aesthetic experience. From the authorial motivations to the composition, narrative framework, functional aspects, and multimodal manifestations, it unravels the complexities of code-switching as a powerful aesthetic device. Drawing from a rich tapestry of literary and artistic works, it explores how code-switching transcends linguistic boundaries to create captivating narratives and immersive artistic experiences. The outlined multidimensional approach goes beyond mere linguistic analysis, delving into the intricate interplay of semiotic resources, cultural contexts, and narrative strategies. Through meticulous examination and insightful case studies, it sheds light on the multifaceted nature of aesthetic code-switching, revealing its profound impact on artistic expression and communication. As you embark on this journey, this monography invites you to explore the diverse landscapes of aesthetic multilingualism, where words, sounds, and visuals converge to create art that transcends linguistic and cultural boundaries and captivates the imagination.
Usage metrics
References

BIBLIOGRAPHY

Aikio, Inger-Mari: Jiehki vuolde ruonas giđđa, Guovdageaidnu, DAT, 1993.

Akerholt, May-Brit: Solaris Corrected, 2011, https://www.poetryinternational.org/pi/poem/19825/auto/0/0/Oyvind-Rimbereid/SOLARIS-CORRECTED/en/nocache (accessed 28 August 2023). A translation of Øyvind Rimbereid’s Solaris korrigert.

Ala-Risku, Riikka: Sociolinguistica letteraria: cosa ci insegna la metalingua della narrativa?, in V. Nigrisoli Wärnhjelm et al. (eds.): Edito, inedito, riedito. Saggi dall’ XI Congresso degli Italianisti Scandinavi, Università del Dalarna – Falun, 9-11 giugno 2016, Pisa, Pisa University Press, 2017, 223–234, https://helda.helsinki.fi/server/api/core/bitstreams/458fd9e0-6c32-4a79-bec2-2ec94dc900b4/content

Alexandrova, Boriana: Joyce, Multilingualism, and the Ethics of Reading, London, Palgrave Macmillan, 2020. https://doi.org/10.1007/978-3-030-36279-9

Almagro Jimenez, Manuel: To Be and (or?) Not to Be: Joyce’s Rewriting of Shakespeare, Papers on Joyce 2, 1996, 3–17.

Anderson, John: Joyce’s Finnegans Wake: The Curse of Kabbalah, Universal Publishers, 2013.

Anokhina, Olga – Dembeck, Till – Weissmann, Dirk: Mapping Multilingualism in 19th Century European Literatures/Le plurilinguisme dans les littératures européennes du XIXe siècle, Wien, Lit Verlag, 2019.

Arndt, Susan – Naguschewski, Dirk – Stockhammer, Robert (eds.): Exophonie: Anders-Sprachigkeit (in) der Literatur, Berlin, Kulturverlag Kadmos, 2007.

Attridge, Derek: Peculiar Language: Literature as Difference from the Renaissance to James Joyce, London, Methuen, 1988.

Ayoub, Dima: Politics of Paratextuality: The Glossary between Translation and the Translational, Journal of Arabic Literature 51 (2020), No. 1–2, April, 27–52. https://doi.org/10.1163/1570064x-12341399

Badalov, Babi: I am an art east, http://babibadalovvisualpoetry.wordpress.com/2012/12/04/i-am-art-east-jpg/ (accessed 28 August 2021).

Baetens Beardsmore, Hugo: Polyglot Literature and Linguistic Fiction, International Journal of the Sociology of Language 15 (1978), 91–102. https://doi.org/10.1515/ijsl.1978.15.91

Bakhtin, Mikhail: From the Prehistory of Novelistic Discourse, in Mikhail Bakhtin: The Dialogic Imagination. Four Essays, tr. Caryl Emerson and Michael Holquist, 41–83, Austin, Texas University Press, 1981.

Balassi, Bálint: Toll és szablya – The Pen and the Sword, tr. Péter Czipott, Budapest, Kairosz Kiadó, 2022.

Baldo, Michela: Italian-Canadian Narratives of Return: Analysing Cultural Translation in Diasporic Writing, London, Palgrave Macmillan, 2019. https://doi.org/10.1057/978-1-137-47733-0

Baldry, Anthony – Thibault, Paul J.: Multimodal Transcription and Text Analysis: A Multimedia Toolkit and Coursebook, Sheffield, Equinox, 2006.

Bazhanov, Askold: Стихи и поэмы о саамском крае / Verses & Poems on the Saami Land, tr. Naomi Cafee, in M. Riessler (ed.): Kleine Saamische Schriften 2, Berlin, 2009.

Beetz, Manfred: In der Rolle des Betrachters. Zur Aktivierung und Sensibilisierung des Lesers in der visuellkonkreten Poesie, Jahrbuch der Deutschen Schillergesellschaft 24 (1980), 419–451.

Benthien, Claudia – Lau, Jordis – Marxsen, Maraike M.: The Literariness of Media Art, New York – London, Routledge, 2019. https://doi.org/10.4324/9781315107981

Berruto, Gaetano: Situazioni di Plurilinguismo, Commutazione di Codice e Mescolanza di Sistemi, Babylonia 6 (1998), 16–21.

Bergvall, Caroline (ed.): I’ll Drown My Book: Conceptual Writing by Women, Paris, Les Figures, 2012.

Blommaert, Jan: The Sociolinguistics of Globalization, Cambridge, Cambridge University Press, 2010. https://doi.org/10.1017/CBO9780511845307

Blum-Barth, Natalia: [W]henn man schreibt, muss man […] die anderen Sprachen aussperren: Exkludierte Mehrsprachigkeit in Olga Grjasnowas Roman Gott ist nicht schüchtern, in B. Siller – S. Vlasta (eds.): Literarische (Mehr)Sprach-reflexionen, Vienna, Praesens Verlag, 2020, 49–67.

Blum-Barth, Natalia: Poietik der Mehrsprachigkeit: Theorie und Techniken des multilingualen Schreibens, Heidelberg, Universitätsverlag Winter, 2021.

Busch, Brigitta: The Linguistic Repertoire Revisited, Applied Linguistics 33 (2012), 503–523. https://doi.org/10.1093/applin/ams056

Busch, Brigitta: Expanding the Notion of the Linguistic Repertoire: On the Concept of Spracherleben – The Lived Experience of Language Applied Linguistics, Applied Linguistics, 38(3), 2015, 1–20. https://doi.org/10.1093/applin/amv030

Callahan, Laura: Spanish/English Codeswitching in a Written Corpus, Amsterdam–Philadelphia, John Benjamins, 2004. https://doi.org/10.1075/sibil.27

Canetti, Elias: The Tongue Set Free: Remembrance of a European Childhood, London, Granta, 2011.

Cassirer, Ernst: Symbol, Myth and Culture, New Haven, Yale University Press, 1979.

Chatman, Seymour: Coming to Terms: The Rhetoric of Narrative in Fiction and Film, London, Cornell, 1990.

Chatman, Seymour: Story and Discourse: Narrative Structure in Fiction and Film, Cornell University Press, 1978.

Classen, Albrecht: Multilingualism in the Middle Ages and Early Modern Age: Communication and Miscommunication in the Premodern World, Berlin, De Gruyter, 2016. https://doi.org/10.1515/9783110471441

Clemens, Ruth Alison: The Nomadic Footnote: Multilingualism and Transnationalism in Modernist Paratexts. Doctoral dissertation, University of Leeds, 2019.

Cook, Vivian: Multi-competence, in C. A. Chapelle (ed.): The Encyclopedia of Applied Linguistics, New York, Wiley-Blackwell, 2013, 3768–3774.

Cracroft, Richard H.: “Exactly the German Way”: Mark Twain’s Comic Strategies with “The Awful German Language”, Thalia 13 (1993), 11–21.

Crispi, Luca – Slote, Sam (eds.): How Joyce Wrote Finnegans Wake: A Chapter-by-Chapter Genetic Guide, Madison, University of Wisconsin Press, 2007.

Crystal, David: From the World to the Word – and Back Again. Plenary lecture given to the CILT Primary Languages Show “From the Word to the World”, Liverpool, 4 March 2011, https://www.davidcrystal.com/Files/BooksAndArticles/-4144.pdf (accessed 22 August 2023).

Czipott, Peter (tr.): Antal Szerb: Journey to the moonlight, New York, Bloomsbury Trade, 2016.

Czipott, Peter (tr.): Bálint Balassi: Toll és szablya – The Pen and the Sword, Budapest, Kairosz Kiadó, 2022.

Dánél, Móna: Akcentussal olvasni – Magyar irodalom mint a többnyelvű kulturális emlékezet közege (Bodor Ádám, Esterházy Péter) [To Read with an Accent – Hungarian Literature as the Community of Multilingual Cultural Memory (Ádám Bodor, Péter Esterházy)], in Gy. Földes et al. (eds.): Kelet-Közép-Európa mint kulturális konstrukció, Gondolat, Budapest, 2021.

Dánél, Móna: Élő regények és többnyelvű irodalomszemlélet. Thomka Beáta: Regénytapasztalat. Korélmény, hovatartozás, nyelvváltás [Living Novels and the Multilingual Viewpoint. Beáta Thomka: Novelexperience. Experience of an Era, Belonging, Exchanging Languages], Irodalomtörténet C 1 (2019), 109–117.

Dánél, Móna: Többnyelvűség és lokalitás: Magyar és román érintkező narratívák 1989-ről [Multilinguality and Locality: Hungarian and Romanian Narratives of 1989], 2020, https://eda.eme.ro/bitstream/handle/10598/32194/EM2020–3-01-Danel.pdf?sequence=1&isAllowed=y (accessed 21 September 2021).

Dánél, Mónika: Nyelv-Karnevál: Magyar neoavantgárd alkotások poétikája [Carnival of Language: The Poetics of Works by the Hungarian Neo-Avant Garde], Kijárat Kiadó, 2016.

Dausendschön-Gay, Ulrich – Krafft, Ulrich: Kulturelle Differenz als account, in B. Apfelbaum – H. Müller (ed.): Fremde im Gespräch: Gesprächsanalytische Untersuchungen zu Dolmetsch-Interaktionen, interkultureller Kommunikation und institutionalisierten Interaktionsformen, Frankfurt a.M., IKO – Verlag für Interkulturelle Kommunikation, 1998, 163–197.

Deganutti, Marianna: Literary Multilingualism: Exploring Latent Practices, Textual Practice, published online 9 December 2022, https://www.tandfonline.com/doi/full/10.1080/0950236X.2022.2150678

Deganutti, Marianna: Literary Multilingualism in the Borderlands. The Challenge of Trieste, New York – London, Routledge, 2023.

Deganutti, Marianna – Domokos, Johanna – Mudriczki, Judit: Multilingualism and Code-Switching in Literature and Performative Arts, in M. Deganutti – J. Domokos – J. Mudriczki (eds.): Code-Switching in Arts, Budapest, L’Harmattan – Károli Books, 2023, 7–20.

Deganutti, Marianna – Domokos, Johanna – Mudriczki, Judit (eds.): Code-Switching in Arts, Budapest, L’Harmattan – Károli Books, 2023.

Deganutti, Marianna – Domokos, Johanna – Mudriczki, Judit (eds.): Multimodal Code-switching, Orpheus Noster, 2024/1.

De Luna, Maria Elena: La Comunicazione Linguistica fra Alloglotti nel Mondo Greco: Da Omero a Senofonte, Pisa, ETS, 2003.

De Man, Paul: Semiology and Rhetoric, Diacritics 3 (1973), 27–33. https://doi.org/10.2307/464524

Delabastita, Dirk – Grutman, Rainier: Fictionalising Translation and Multilingualism, Target, 20 (2008), 164–169. https://doi.org/10.1075/target.20.1.13ban

Dembeck, Till: Multilingual Philology and Monolingual Faust: Theoretical Perspectives and a Reading of Goethe’s Drama, German Studies Review 41 (2018), 567–588. https://doi.org/10.1353/gsr.2018.0094

Dembeck, Till: There Is No Such Thing as a Monolingual Text! New Tools for Literary Scholarship, Polyphonie: Mehrsprachigkeit_Kreativität_Schreiben, 2017, http://hdl.handle.net/10993/31641 (accessed 22 February 2022).

Derrida, Jacques: Monolingualism of the Other, or, The Prosthesis of Origin, tr. Patrick Mensah, Cultural Memory in the Present, Palo Alto, Stanford University Press, 1998.

Derrida, Jaques: Margins of Philosophy, tr. Alan Bass, Chicago–London, Chicago University Press, 1982.

Domokos, Johanna: Saami Cultural and Intercultural Conjunctions, Specimina Fennica 16, Szombathely, Balogh és Társa, 2011a.

Domokos, Johanna: Differentiation of Cultural Interference in the (Uralic) Literary Fields, in J. Laakso (ed.): Multilinguality and Multiculturality in Finno-Ugric Literatures, Wien, LIT Verlag, 2011b, 12–25.

Domokos, Johanna: Towards a Polycultural Narratology, in A. Strohmeier (ed.): Kultur- Wissen-Narration: Perspektiven transdisziplinärer Erzählforschung für die Kulturwissenschaften, Bielefeld, Transcript, 122–35, 2013a.

Domokos, Johanna: On the Ecology of Cultural Interference: Examples from Nordic and Sami Literature, in R. Hartama-Heinonen – P. Kukkonen (eds.): Inter Acta Translatologica Helsingiensia 2, 13–24, 2013b.

Domokos, Johanna: Ein ungarisches Moment deutscher Gegenwartsliteratur: Am Beispiel von Terézia Moras Prosa, in A. Czeglédy – E. Sepsi – Cs. Szummer (eds.): Tükör által. Tanulmányok a nyelv, kultúra, identitás témaköréből, Budapest, KRE–L’Harmattan, 2016, 261–272.

Domokos, Johanna: Écriture multiculturelle and the Finnish Literary Field, in J. Domokos (ed.): Endangered Literature, Budapest, L’Harmattan – Károli Books, 2018, 67–86.

Domokos, Johanna: A Writing Hand Reaches Further: Evaluation of Sámi Literature, Helsinki, Kultuuria Kaikille, 2018, https://multilingualmonth.files.wordpress.com/2018/10/writing_hand_reaches_further_verkko.pdf

Domokos, Johanna: Endangered Literature: Essays on Translingualism, Interculturality, and Vulnerability, Budapest, L’Harmattan Publishing – Károli Books, 2018.

Domokos, Johanna: Multilingualism in the Contemporary Finnish Literature (Suomen kirjallisuus), in J. Domokos – J. Laakso (eds.): Multilingualism and Multiculturalism in Finno-Ugric Literatures 2, Münster, LIT Verlag, 2020, 39–65.

Domokos, Johanna: On Semantic and Semiotic Multilingualism in Earlier and Latest Works of Sabira Ståhlberg and Tzveta Sofronieva, The Romanian Journal for Baltic and Nordic Studies, 13 (2021), 29–46. https://doi.org/10.53604/rjbns.v13i1_3

Domokos, Johanna: Verbal and Technical Media in the Multilingual Poetry of Cia Rinne, Fabula.org, 2021b, https://www.fabula.org/colloques/document7418.php, https://doi.org/10.58282/colloques.7418

Domokos, Johanna – Deganutti, Marianna: Four Major Literary Code-switching Strat­egies in Hungarian Literature: Decoding Monolingualism, Hungarian Studies Yearbook 3 (2021), 43–63, https://doi.org/10.2478/hsy-2021-0004

Domokos, Johanna – Deganutti, Marianna: Overt and covert zero degree code-switch­ing in Sándor Petőfi’s János vitéz (John the Valiant) and Mark Twan’s A Tramp Abroad, in P. Furkó – Z. Csőke (eds.): Tudomány és harmadik misszió. Studia Caroliensia 2021, 135–149, 2022.

Domokos, Johanna – Deganutti, Marianna: Zero Degree Code-switching and the Nar­rative Framework, Polyphonie 2022/1, http://www.polyphonie.at/?op=publicationplatform&sub=viewarea&area=1

Domokos, Johanna – Nagy, Judit (eds.): Többnyelvűség a kortárs művészetben / Multilingualism in Contemporary Arts, Budapest, L’Harmattan – Károli Books, 2024 (in press).

Domonkos, István: Kormányeltörésben, Budapest, National Library of Foreign Languages – Napkút Publishing House, 2015. Translated into: Bulgarian, English, Estonian, French, German, Macedonian, Polish, Romanian, Russian, Serbian, Swedish, and Turkish.

Eco, Umberto: Experiences in Translation, tr. Alastair McEwen, Toronto, University of Toronto Press, 2001.

Ellmann, Richard: James Joyce, Oxford, Oxford University Press, 1982.

Fagan, Allison: From the Edge: Chicana/o Border Literature and the Politics of Print, New Brunswick, Rutgers University Press, 2016.

Fishman, Jan: Domains and the Relationship Between Micro- and Macro-Sociolinguistics, in J. J. Gumperz – D. Hymes (eds.): Directions in Sociolinguistics: The Ethnography of Communication, New York, Rinehart & Winston, 1972, 435–453.

Fludernik, Monika: The Fictions of Language and the Languages of Fiction, New York – London, Routledge, 1993.

Fowler, SJ: Maintenant #52: Cia Rinne. An interview with Cia Rinne, 3:AM Magazine, 7 March, 2011, https://www.3ammagazine.com/3am/maintenant-52-cia-rinne/ (accessed 28 August 2019)

French, Marilyn: The Voices of the Sirens in Joyce’s Ulysses, Journal of Narrative Technique 8 (1978), 1–10.

García, Ofelia: Bilingual Education in the 21st Century, West-Sussex, Wiley-Blackwell, 2009.

García, Ofelia – Wei, Li: Translanguaging: Language, Bilingualism and Education, Bas­ingstoke, Palgrave, 2024.

Gardner-Chloros, Penelope – Weston, Daniel: Code-Switching and Multilingualism in Literature, Language and Literature 24 (2015), 182–193. https://doi.org/10.1177/0963947015585065

Gardner-Chloros, Penelope: Code-switching, Cambridge, Cambridge University Press, 2009. https://doi.org/10.1017/CBO9780511609787

Gaski, Harald: When the Thieves Became Masters in the Land of the Shamans, Nordlit 15 (2004), 35–45, https://doi.org/10.7557/13.1906, see also: https://www.laits.utexas.edu/sami/diehtu/giella/music/tyven.htm (accessed 07 July 2023).

Genette, Gerard – Maclean, Marie: Introduction to the Paratext, New Literary History 22 (1991), 261–272. https://doi.org/10.2307/469037

Genette, Gérard: Narrative Discourse: An Essay in Method, tr. Jane E. Lewin, Ithaca, Ithaca Cornell University Press, 1980.

Genette, Gérard: Palimpsests: Literature in the Second Degree, Lincoln, University of Nebraska Press, 1997.

Goscinny, René – Uderzo, Albert: Astérix le Gaulois, Paris, Dargaud, 1961.

Gove, Antonina Filonov: Multilingualism and Ranges of Tone in Nabokov’s Bend Sinister, Slavic Review 32 (1973), 79–90. https://doi.org/10.2307/2494074

Gramling, David: The Invention of Monolingualism, New York – London, Bloomsbury, 2016.

Grosjean, François: The bilingual individual, Interpreting 2(1/2, 1996), 163–187. https://doi.org/10.1075/intp.2.1-2.07gro

Grutling: David, The Invention of Monolingualism, New York – London, Bloomsbury Academic Publishing, 2016.

Grutman, Rainier: Besos para Golpes: L’Ambiguïté d’un Titre Hugolien, in L. Gauvin (ed.): Les langues du roman. Du plurilinguisme comme stratégie textuelle, Montréal, Les Presses de l’Université de Montréal, 1999, 37–51. https://doi.org/10.1515/9782760623057-003

Grutman, Rainier: Refraction and Recognition: Literary Multilingualism in Translation, Target 18 (2006), 17–47. https://doi.org/10.1075/target.18.1.03gru, https://doi.org/10.1075/target.18.2.12gru

Grutman, Rainier: Tolstoï et Charles De Coster: Poétique et Politique de l’Hétérolinguisme Romanesque au XIXe siècle, in O. Anokhina – T. Dembeck – D. Weismann (eds.): Mapping Multilingualism in 19th-century European Literatures / Le plurilinguisme dans les littératures européennes du XIXe siècle, Münster, LIT 2019, 161–182.

Grutman, Rainier: Traduire l’Heterolingualisme: Questions Conceptuelles et (con) Tex­tuelles, in M.-A. Motout (ed.): Autour d’Olive Senior: Hétérolinguisme et Traduction, Presses de l’Université d’Angers, 2012, 49–81.

Gumperz, John J.: Linguistic and Social Interaction in Two Communities, in J. J. Gumperz – D. H. Hymes (eds.): American Anthropologist: The Ethnography of Communication 66 (1964), 137–153. https://doi.org/10.1525/aa.1964.66.suppl_3.02a00100

Hart, Clive: Structure and Motif in Finnegans Wake, Evanston, Northwestern University Press, 1962.

Hedderich, Norbert: Mark Twain and “The Awful German Language”, Die Unterricht­spraxis/Teaching German 36 (2003), 28–33. https://doi.org/10.2307/3531681

Heith, Anne: Experienced Geographies and Alternative Realities: Representing Sápmi and Meänmaa, Göteborg–Stockholm, Makadam Publishers, 2020.

Hemingway, Ernest: For Whom the Bell Tolls, New York, Charles Scribner’s Sons, 1940.

Hemminghaus, Edgar: Mark Twain in Germany, The Germanic Review: Literature, Culture, Theory 17 (1996), 72–78.

Henry, Olga: The Use of the French Language in Leo Tolstoy’s Novel War and Peace [Thesis in Modern Languages and Classics], University of Alabama, Tuscaloosa, 2016.

Hirvonen, Vuokko: Saamenmaan Ääniä: Saamelaisen Naisen Tie Kirjailijaksi, Helsinki, Suomalaisen Kirjallisuuden Seuran, 1999a, 725.

Hirvonen, Vuokko: Sámeeatnama Jienat: Sápmelaš Nissona Bálggis Girječállin, Guo­vdageaidnu, DAT, 1999b.

Hirvonen, Vuokko: Voices from Sápmi: Sámi Women’s Path to Authorship, tr. Kaija Ant­tonen, Kautokeino, DAT, 2008.

Hoffman, Eva: Lost in Translation: A Life in a New Language, London, Vintage, 1998.

Homer: The Iliad, translation by A.T. Murray, Cambridge, MA – London, Harvard Uni­versity Press – William Heinemann, 1924. https://doi.org/10.4159/DLCL.homer-iliad.1924

Jahn, Manfred: Narratology: A Guide to the Theory of Narrative, Cologne, English Depart­ment, University of Cologne, 2021, http://www.uni-koeln.de/~ame02/pppn.pdf (accessed 16 August 2022).

Jakobson, Roman: On Linguistic Aspects of Translation, in A. Fang et al. (eds.): On Trans­lation, Cambridge, Mass, Harvard University Press, 1959, 232–239. https://doi.org/10.4159/harvard.9780674731615.c18

Jakobson, Roman: Closing Statements: Linguistics and Poetics, in T. A. Sebeok (ed.): Style in Language, Cambridge, The Technology Press of Massachusetts Institute of Technol­ogy, 1968, 358.

Jonsson, Carla: Making Silenced Voices Heard. Code-switching in Multilingual Literary Texts in Sweden, in M. Sebba – S. Mahootian – C. Jonsson (eds.): Language Mixing and Code-Switching in Writing. Approaches to Mixed-Language Written Discourse, New York – London – Routledge, 2012, 212–232.

Jørgensen, Jens Normann – Karrebæk, Martha Sif – Madsen, Lian Malai – Møller, Janus Spindler: Polylanguaging in Superdiversity, Diversities 13 (2011), 23–37.

Joyce, James: Finnegans Wake, London, Faber and Faber, 1989.

Kachru, B. B.: Code-Mixing as a Communicative Strategy, in J. Alatis (ed.): International Dimensions of Bilingual Education, Washington DC, Georgetown University Press, 1978, 107–124.

Karinthy, Ferenc: Epepe, Budapest, Magvető Könyvkiadó, 1970.

Karinthy, Ferenc: Metropole, tr. George Szirtes, London, Telegram, 2008.

Keller, Gary: The Literary Stratagems Available to the Bilingual Chicano Writer, in F. Jimènez (ed.): The Identification and Analysis of Chicano Literature, New York, Bilingual Press/Editorial Bilingüe, 1979, 263–316.

Kellman, Steven: The Translingual Imagination, Lincoln, University of Nebraska Press, 2000.

Kellman, Steven: Switching Languages: Translingual Writers. Reflect on Their Craft, Lin­coln, University of Nebraska Press, 2003.

Kellman, Steven: Nimble Tongues. Studies in Literary Translingualism, West Lafayette, Purdue University Press, 2020. https://doi.org/10.2307/j.ctvhhhdz6

Kellman, Steven: Does Literary Translingualism Matter? Reflections on the Translingual and Isolingual Text, Dibur Literary Journal, 7 (2019), 109–117.

Kellman, Steven – Lvovich, Natasha: The Routledge Handbook of Literary Translingual­ism, New York, Routledge, 2021. https://doi.org/10.4324/9780429298745

Kilchmann, Esther: Poetik des fremden Worts. Techniken und Topoi heterolingualer Gegenwartsliteratur, Zeitschrift für interkulturelle Germanistik, 2012/3, H2, 109–129. https://doi.org/10.14361/zig.2012.0210

Kiš, Danilo: A Tomb for Boris Davidovich, tr. Duška Mikić-Mitchell, London, Faber & Faber, 1985.

Klinger, Susanne: Translation and Linguistic Hybridity: Constructing World-View, New York – Abingdon, Routledge, 2015. https://doi.org/10.4324/9781315752341

Kohn, Robert: Giving voice to Uncertainty. Memory, Multilingual and Unreliable Narration in W.G. Sebald’s Austerlitz, Zeitschrift für interkulturelle Germanistik, 2012/3, H2, 33–48. https://doi.org/10.14361/zig.2012.0205

Komska, Yuliya: Why Curious George Did Not Speak: The Conspicuous Multilingualism of Margret and H.A. Rey, German Studies Review 41 (2018), 505–528. https://doi.org/10.1353/gsr.2018.0091

Kovář, Michal: Hrdinství starých i mladých žen v hrdinské epice uralských národů [Her­oism of Old and Young Women in Heroic Epic of Uralian peoples], in M. Novotná – J. Tulka (eds.): Hrdinství starých [Heroism of the old], Červený Kostelec, Pavel Mervart, 2021, 89–104.

Knauth, Karl Alfons: Translation and Multilingual Literature, Traduction & littérature multilingue, Münster, LIT, 2011.

Kremnitz, Georg: Mehrsprachigkeit in der Literatur: Ein kommunikationssoziologischer Überblick, Wien, Praesens-Verlag, 2015.

Kress, Gunther R. – van Leeuwen, Theo: Multimodal Discourse: The Modes and Media of Contemporary Communication, London, Arnold, 2001.

Kristeva, Julia: Revolution in Poetic Language, New York, Columbia University Press, 1984.

Kwon Dobbs, Jennifer: Necro citizens / Nekrobürger, tr. Gruppe Bie, Bielefeld, Hochroth, 2019.

Lacan, Jacques: The Mirror Phase, New Left Review 51 (1968), 71–77.

Lecocq, Pascal: Toteninsel.net.: a website dedicated to A. Böcklin’s Isle of the Dead, http://www.toteninsel.net/home.php (accessed 07 July 2023).

Lehto, Leevi: Awkward Thoughts on a Gracious Book. Reflections on Zaroum, 2005, http://leevilehto.net/?s=Awkward+Thoughts+on+a+Gracious+Book (accessed 28 August 2021).

Lennon, Brian: In Babel’s Shadow: Multilingual Literatures, Minneapolis, University of Minnesota Press, 2010. https://doi.org/10.5749/minnesota/9780816665013.001.0001

Lindholm, Anders: Om Solaris korrigert, in J. Kampevold Larsen – S. Sterbakken (eds.): Norsk litterær kanon, Oslo, Cappelen Damm, 2008.

Locher, Miriam: Multilingualism in Fiction, in M.A. Locher – A.H. Jucker (eds.): Pragmatics of Fiction, Berlin, De Gruyter, 2017, 297–327. https://doi.org/10.1515/9783110431094-010

Lorch, Marjorie – Meara, Paul: How People Listen to Languages They Don’t Know, Language Science 11 (1989), 343–353. https://doi.org/10.1016/0388-0001(89)90025-9

Lovász, Irén: Multimodal Code-Switching in my World Music Art, in M. Deganutti – J. Domokos – J. Mudriczki (eds.): Code-Switching in Arts, Budapest, L’Harmattan – Károli Books, 2023, 163–170.

Lundberg, Anders: Zaroum, oei #13, April, Gothenburg, 2003.

Lutz, Hanna: Cia Rinne and the Soundpoetic Event, Baltic Worlds (2012), http://balticworlds.com/listening-for-other-languages/ (accessed 11 December 2021).

Madách, Imre: The Tragedy of Man, tr. Ottó Tomschey, http://mek.oszk.hu/00800/00876/00876.pdf (accessed 21 September 2021).

Madách, Imre: Az ember tragédiája, https://mek.oszk.hu/00800/00849/html/ (accessed 21 September 2021).

Mareš, Petr: Fikce, Konvence a Realita: K Vícejazyčnosti v Uměleckých Textech [Fiction, Convention and Reality: Towards Multilingualism in Artistic Texts], Slovo a Slovesnost 61 (2000), 47–53.

Mari, Michele: Verderame, Turin, Einaudi, 2007.

McDougall, Russell: The ‘New’ World Literature: A Review Essay, Transnational Literature 6 (2014), http://fhrc.flinders.edu.au/transnational/home.html (accessed 21 October 2021).

McHugh, Roland: Annotations to Finnegans Wake, USA, John Hopkins University Press, 2006.

Melchiori, Giorgio: The Languages of Joyce, in R.M. Bollettieri Bosinelli – C. Marengo Vaglio – C. Van Boheemen (eds.): Selected Papers from the 11th International James Joyce Symposium, Venice, 12–18 June 1988, Amsterdam – Philadelphia, John Benjamins, 1992. https://doi.org/10.1075/z.54.03mel

Melton, Jeffrey: Travel Writing, in J. Bird (ed.): Mark Twain in Context, Cambridge, Cambridge University Press, 2020. https://doi.org/10.1017/9781108617208.011

Messent, Peter: Mark Twain, Basingstoke, Macmillan, 1997. https://doi.org/10.1007/978-1-349-25271-8

Milesi, Laurent: Finnegans Wake: The Obliquity of Trans-Lations, in Morris Beja – David Norris (eds.): Joyce in the Hibernian Metropolis: Essays, Ireland International James Joyce Symposium 1992, Dublin, Ohio State University Press. 1996.

Milesi, Laurent: Introduction: Language(s) with a Difference, in L. Milesi (ed.): James Joyce and the Difference of Language, Cambridge, Cambridge University Press, 2004. https://doi.org/10.1017/CBO9780511485206

Milesi, Laurent: L’idiome babélien de Finnegans Wake: Recherches thématiques dans une perspective génétique, in C. Jacquet (ed.): Genèse de Babel: Joyce et la création, Paris, Editions du Centre national de la Recherche Scientifique, 1985, 155–215.

Milroy, Lesley – Muysken, Pieter (eds.): Introduction: Code-Switching and Bilingualism Research, One Speaker, Two Languages: Cross-Disciplinary Perspectives on Code-Switching, Cambridge, Cambridge University Press, 1995, 1–14. https://doi.org/10.1017/CBO9780511620867.001

Molnár, Attila: Verbális, művészi és technikai médiumok Vály Sándor művészetében [Verbal, Artistic and Technical Media in the Art of Sándor Vály]. Presentation at the conference A Magyar Tudomány Napja Erdélyben, Cluj, 2021.

Moore, Emilie – Bradley, Jessica (2020): Resemiotisation from Page to Stage: Translan­guaging and the Trajectory of a Multilingual Youth’s Poem, International Journal of Bilingual Education and Bilingualism, 23:1, 49–64, https://doi.org/10.1080/13670050. 2019.1600470

Mora, Terézia: Der einzige Mann auf dem Kontinent, München, Luchterhand Verlag, 2009.

Mukherjee, Meenakshi: The Perishable Empire: Essays on Indian Writing in English, Oxford, Oxford University Press, 2000.

Myers-Scotton, Carol: Social Motivation for Code-Switching: Evidence from Africa, Oxford, Clarendon Press, 1993. https://doi.org/10.1093/oso/9780198239055.001.0001

Myers-Scotton, Carol: Duelling Languages: Grammatical Structure in Codeswitching, Oxford, Clarendon Press, 1993 [1997]. (1997 edition with a new Afterword.) https://doi.org/10.1093/oso/9780198240594.001.0001

Myers-Scotton, Carol: Contact Linguistics: Bilingual Encounters and Grammatical Outcomes, Oxford, Oxford University Press, 2002. https://doi.org/10.1093/acprof:oso/9780198299530.001.0001

Nagy, Paul: Protestament. http://www.thing.net/~grist/l&d/hungary/nagyp1.htm (accessed 28 August 2020).

Nabokov, Vladimir: Pnin, London, Penguin, 2000.

Newmark, Peter: A Textbook of Translation, New York, Prentice-Hall International, 1988.

Nørgaard, Nina: Multimodal Stylistics of the Novel: More than Words, London, Routledge, 2018. https://doi.org/10.4324/9781315145556

Noorani, Yaseen: Hard and Soft Multilingualism, Critical Multilingualism Studies 1 (2013), 7–28.

Norris, Margot: Finnegans Wake, in D. Attridge (ed.): The Cambridge Companion to James Joyce, Cambridge, Cambridge University Press, 2006.

Nünning, Ansgar (ed.): Metzler Lexikon Literatur- und Kulturtheorie, Stuttgart, Weimar, Metzler, 2008. https://doi.org/10.1007/978-3-476-05225-4

Ódor, Klára: Verbális, vizuális és akusztikus kódváltások Vály Sándor Lament for Asinara című multimediális performanszában [Verbal, Visual and Acoustic Code-switching in Sándor Vály’s Multimedia Performance Lament for Asinara], in J. Domokos – J. Nagy (eds.): Többnyelvűség a kortárs művészetben / Multilingualism in Contemporary Arts, Budapest, L’Harmattan – Károli Books, 2024 (in press).

Oksanen, Sofi: Purge, tr. Lola Rogers, New York, Black Cat, 2010.

Oravecz, Imre: A hopik könyve [The Book of the Hopi], https://konyvtar.dia.hu/xhtml/oravecz_imre/Oravecz_Imre-A_hopik_konyve.xhtm (accessed 21 September 2021).

Owindi, Joseph: Kato, kato nekru [Look, Look, a Negro], Porvoo, WSOY, 1972.

Paltto, Kirsti: Beštoriin, Utsjoki, Gielas, 1997.

Pandey, Anjali: Monolingualism and Linguistic Exhibitionism in Fiction, Basingstoke, Palgrave Macmillan, 2016. https://doi.org/10.1057/9781137340368

Paulaharju, Samuli: Vaeltaja Tunturien Maassa, Helsinki, WSOY, 1947.

Perez Firmat, Gustavo: Tongue Ties: Logo-eroticism in Anglo-Hispanic Literature, New York, Palgrave Macmillan, 2003. https://doi.org/10.1057/9781403980922

Perloff, Marjorie: Towards a Conceptual Lyric, Jacket2 (2011), www.jacket2.org/article/towards-conceptual-lyric (accessed 28 August 2019).

Petőfi, Sándor: John the Valiant – János vitéz (A bilingual edition), tr. John Ridland, Budapest, Corvina, 1999 and London, Hesperus Press, 2004.

Pierce, David: Reading Joyce, New York, Routledge, 2014. https://doi.org/10.4324/9781315834504

Poole, Adrian (ed.): Joyce, T.S. Eliot, Auden, Beckett: Great Shakespeareans, London, Continuum, 2012.

Poplack, Shana: Sometimes I’ll start a sentence in Spanish y termino en español: Toward a Typology of Code-switching, Linguistics 18 (1980), 581–618. https://doi.org/10.1515/ling.1980.18.7-8.581

Posner, Roland: Kultursemiotik, in A. Nünning – V. Nünning (eds.): Konzepte der Kultur­wissenschaften: Theoretische Grundlagen – Ansätze – Perspektiven, Stuttgart–Weimar, J. B. Metzler, 2003, 39–72.

Queiroz, João – Vitorio, Ana Paula – Fernandes, Ana Luiza: Translation in Intermedial Studies, in K. Marais (ed.): Translation Beyond Translation Studies, London – New York – Dublin, Bloomsbury Academic, 2022, 231–245. https://doi.org/10.5040/9781350192140.ch-12

Radaelli, Giulia: Literarische Mehrsprachigkeit: Sprachwechsel bei Elias Canetti und Ingeborg Bachmann, Berlin, Akademie Verlag, 2011. https://doi.org/10.1524/9783050053592

Ramsay, Robert L. – Emberson, Frances G.: A Mark Twain Lexicon, Columbia, University of Missouri, 1938.

Rantonen, Eila: Literatur von Immigranten in Finnland, in J. Domokos (ed.): Invasion Paradies, Budapest, Pluralica, 2014, 254–273.

Rimbereid, Øyvind: Solaris korrigert, Oslo, Gyldendal Norsk Forlag, 2004.

Rinne, Cia: archives zaroum. afsnitp.dk Visual design in collaboration with Christian Yde Frostholm, 2001, http://www.afsnitp.dk/galleri/archiveszaroum/ (accessed 28 August 2019).

Rinne, Cia: notes for soloists, Stockholm, OEI Editör, 2009.

Rinne, Cia: zaroum, Helsinki, No Name Publisher, 2011.

Rinne, Cia: Sounds for Soloists. Music and Sound Design by Sebastian Eskildsen, MP3, 2012, http://writing.upenn.edu/pennsound/x/Rinne.php (accessed 28 August 2019).

Rinne, Cia: l’usage du mot, Berlin, kookbooks, 2017.

Rinne, Cia: i am very miserable about sentences, Banff, No Press, 2019.

Roggenbuck, Stefanie: Narrative Polyphonie, Berlin, De Gruyter, 2020. https://doi.org/10.1515/9783110668810

Rose, Danis: James Joyce’s The Index Manuscript: Finnegans Wake Holograph Workbook VI.B.46, Colchester, A Wake Newslitter Press, 1978.

Sandulescu, George: The Language of the Devil: Texture and Archetype in Finnegans Wake, Gerrards Cross, Colin Smythe, 1987.

Sári, László – Szemző, Tibor: A Guest of Life – Alexander Csoma De Körös, 2006; Az élet vendége – Csoma-legendárium, 2008, http://csomafilm.szemzo.hu/ (accessed 21 Sep­tember 2022).

Sári, László: A Guest of Life, Alexander Csoma de Körös. Script, translated by Tim Wilkinson, http://visio.c3.hu/~gordianknot/csoma/script.pdf (accessed 13 August 2022).

Schaffner, Anna Katharina: How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry, Avant-Garde Critical Studies, Volume: 17 (2005), 149–172. https://doi.org/10.1163/9789401202589_010

Schaudig, Michael: Flying Logos in Typosphere. Eine kleine Phänomenologie des graphi­schen Titeldesigns filmischer Credits, in: H.-E. Friedrich – U. Jung (eds.): Schrift und Bild im Film, Bielefeld, Aisthesis, 2002, 163–183.

Schmid, M. S.: First Language Attrition, Use, and Maintenance: The case of German Jews in Anglophone Countries, Amsterdam, John Benjamins, 2002. https://doi.org/10.1075/sibil.24

Sebba, Mark (ed.): Researching and Theorising Multilingual Texts, in S. Mahootian – C. Jonsson (eds.): Language Mixing and Code-Switching in Writing: Approaches to Mixed Language Written Discourse, New York, Routledge, 2012, 1–26. https://doi.org/10.4324/9780203136133

Sebba, Mark: Multilingualism in written discourse: An approach to the analysis of multilingual texts, International Journal of Bilingualism 17 (2013), 97–118. https://doi.org/10.1177/1367006912438301

Sewell, David R.: Mark Twain’s Languages: Discourse, Dialogue, and Linguistic Variety, Berkeley, University of California Press, 1987.

Simkover, Rachel: Cia Rinne: sounds for soloists@grimmuseum review, Berlin Independents Guide 26 June (2012), http://www.bpigs.com/diaries/cia-rinne-sounds-soloists-grimmuseum-review (accessed 28 August 2019).

Siri, Hege: Et øyeblikk noen tusen år, Oslo, Kolon, 2009.

Skåden, Sigbjørn: Prekariáhta lávlla, Evenskjer, Skániid Girjie, 2009.

Sofronieva, Tzveta: Anthroposzene, Bielefeld, Hochroth, 2017.

Sofronieva, Tzveta: A Hand full of Water / Eine Hand voll Wasser, English and German, tr. Chantal Wright, New York, White Pine Press, 2012.

Sofronieva, Tzveta: Multiverse: New and Selected Poems, tr. Chantal Wright, ed. J. Kwon Dobbs, Buffalo – New York, White Pine Press, 2020.

Sofronieva, Tzveta: Selected Affordable Studio Apartments, Berlin, Hochroth, 2015.

Sommer, Doris: Bilingual Aesthetics: A New Sentimental Education, Durham, Duke University Press, 2004. https://doi.org/10.2307/j.ctv120qsg3

Ståhlberg, Sabira: Molnvandraren, Helsinki, Basam Books, 2006a.

Ståhlberg, Sabira: Pilvivaeltaja, Helsinki, Basam Books, 2006b.

Ståhlberg, Sabira: Dog Weather on the Black Sea, Varna, Lecti Book Studio, 2014a.

Ståhlberg, Sabira: Hundewetter auf dem Schwarzmeer, Varna, Lecti Book Studio, 2014b.

Ståhlberg, Sabira: Wolkenwanderer, Varna, Lecti Book Studio, 2014a.

Ståhlberg, Sabira: Странстваща с облаците, Varna, Lecti Book Studio, 2014b.

Ståhlberg, Sabira: Hundväder på Svarta havet, Varna, Lecti Book Studio, 2014c.

Ståhlberg, Sabira: Koiran elämää Mustamerellä, Varna, Lecti Book Studio, 2014d.

Ståhlberg, Sabira: Polyglotta Sabirica, Varna, Lecti Book Studio, 2015.

Ståhlberg, Sabira: Polyglorica, Bielelfeld, Hochroth, 2017.

Ståhlberg, Sabira: Polyglorica+, Varna, Lecti Book Studio, 2017.

Ståhlberg, Sabira: Polyglotta Sabirica inglisch, Varna, Lecti Book Studio, 2018.

Ståhlberg, Sabira: Wan Sun, Helsinki, Bokpil, 2021.

Ståhlberg, Sabira: Multicoloured language, Helsinki, Bokpil, 2021.

Ståhlberg, Sabira: MoonSoon mišmaş. Helsinki, Colorit rf, 2023

Ståhlberg, Sabira: Meine lieben fellow-pupils: Edith Södergran’s Hidden Multilingualism, in Jana-Katharina Mende (ed.): Hidden Multilingualism in 19th-Century European Literature. Traditions, Texts, Theories, Berlin – Boston, De Gruyter, 2023, 185–218. https://doi.org/10.1515/9783110778656-009

Ståhlberg, Sabira: Poem Balalar of imperier – Children of empires, Journal of Literary Multilingualism, Brill 2023, 1(2), 294–299. https://doi.org/10.1163/2667324x-20230210

Ståhlberg, Sabira: Desert/ed Trail. A Journey into Unknown, Forgotten and Lost Lan­guages in Eurasia and Multilingual Writing, in M. Deganutti – J. Domokos – J. Mudriczki (eds.): Code-Switching in Arts, Budapest, L’Harmattan – Károli Books, 205–223.

Steinbrink, Jeffrey: Getting to Be Mark Twain, Berkeley, University of California Press, 1991. https://doi.org/10.1525/9780520348240

Sternberg, Meir: Polylingualism as Reality and Translation as Mimesis, Poetics Today 2 (1981), 221–239. https://doi.org/10.2307/1772500

Svevo, Italo: Zeno’s Conscience, New York, Vintage Books, 2002.

Szerb, Antal: Journey to the moonlight, tr. Péter Czipott, New York, Bloomsbury Trade, 2016.

Tardos, Anne: Ami Minden, 1991, https://www.jstor.org/stable/24515198 (accessed 26 March 2022).

Tardos, Anne: How Not to Teach Multilingual Writing, 2002, https://www.annetardos.com/essays_pdfs/hownotto.pdf (accessed 16 August 2023).

Taylor-Batty, Juliette: Multilingualism in Modernist Fiction, New York, Palgrave Macmillan, 2013. https://doi.org/10.1057/9781137367969

Taylor-Batty, Juliette: On Not Knowing Languages: Modernism, Untranslatability and Newness, in M. Rembowska-Płuciennik – B. Śniecikowska – T. Brzostowska-Tereszkiewicz (eds.): Understanding Misunderstanding. Vol. 1: Cross-Cultural Translation, Berlin/Bern/Bruxelles/New York/Oxford/Warszawa/Wien, Peter Lang, 2020.

Thomka, Beáta: Regénytapasztalat. Korélmény, hovatartozás, nyelvváltás [Novelexperience. Experience of an Era, Belonging, Exchanging Languages], Budapest, Kijárat Kiadó, 2018.

Thompson, Carl: Travel Writing, Abingdon, Routledge, 2011. https://doi.org/10.4324/9780203816240

Tidigs, Julia – Huss, Markus: The Noise of Multilingualism: Reader Diversity, Linguistic Borders and Literary Multimodality, Critical Multilingualism Studies 5, No. 1 (2017), 208–235.

Tolstoy, Lev: War and Peace, tr. Andrew Bromfield, New York, Ecco, 2007.

Tompa, Mihály: A madár, fiaihoz / The Bird to His Sons, https://www.magyarulbabelben.net/works/hu-all/Tompa_Mih%C3%A1ly-1817 (accessed 21 June 2021).

Torres, Lev: In the Contact Zone: Code-Switching Strategies by Latino/a Writers, Multi-Eth­nic Literature of the United States 32 (2007), 75–96. https://doi.org/10.1093/melus/32.1.75, https://doi.org/10.1093/melus/32.3.75

Tóth, Kinga: Nyelven túlivá váló nyelvek, in J. Domokos – J. Nagy (eds.): Többnyelvűség a kortárs művészetben / Multilingualism in Contemporary Arts, Budapest, L’Harmattan – Károli Books, 2024 (in press).

Twain, Mark: A Tramp Abroad, New York, Penguin, 1997.

Twain, Mark: The Adventures of Huckleberry Finn, New York, Penguin, [1884] 2014.

Undusk, René: Disegno e colore: Art Historical Reflections on the Structuring of Space, Studies in Environmental Aesthetics and Semiotics V (2006), 306–320, http://www.eki.ee/km/place/pdf/kp5_03_undusk.pdf (accessed 28 August 2022).

Valkeapää, Nils-Aslak: Beaivi, áhčážan, Kautokeino, DAT, 1988.

Valkeapää, N-A: Nap, Édesapám, tr. Johanna Domokos, Budapest, Q.E.D. Kiadó,1997a.

Valkeapää, Nils-Aslak: The Sun, My Father, tr. Ralph Salisbury – Lars Nordström – Har­ald Gaski, Guovdageaidnu, DAT, 1997b.

Walkowitz, Rebecca: Born Translated: The Contemporary Novel in an Age of World Lit­erature, New York, Columbia UP, 2015. https://doi.org/10.7312/walk16594

Weissmann, Dirk: L’horizon Utopique d’une totalité des langues et cultures: Plurilinguisme et écriture plurilingue chez Ilma Rakusa, Germanica 51 (2012), 151–164. https://doi.org/10.4000/germanica.2014

Wirth-Nesher, Hana: Call It English: The Languages of Jewish American Literature, Princeton, Princeton University Press, 2006. https://doi.org/10.1177/1477570006071762

Yildiz, Yasemin: Beyond the Mother Tongue: The Postmonolingual Condition, New York, Fordham University Press, 2012. https://doi.org/10.2307/j.ctt13x0cqr

Cite as:

Domokos, J., Deganutti, M. (2023). Literary Code-Switching and Beyond. With an essay by Sabira Ståhlberg and an interview with Mohcine Ait Ramdan. Budapest: L’Harmattan Publishing House. https://doi.org/10.56037/978-2-336-42814-7

Series
Collection Károli. Monograph ISSN 2063-3297
ISBN
978-2-336-42814-7
978-963-646-369-4
Místo, datum
Budapest, Paris, 2023
Peer reviewer
Tímea Kovács
Dorijan Hajdu
Giustina Selvelli
Keywords
literary multilingualism
code-switching
narratology
multimodality
Type of publication
monograph
Field of science
Languages and Literature
Thema
Linguistics
BISAC
LAN009000
Publisher
L’Harmattan Publishing House
Co-publisher
Károli Gáspár University of the Reformed Church in Hungary
Éditions L’Harmattan
Edition
First edition
Extent
234 pages
Language
Angličtina
Copyright
Domokos Johanna
Deganutti Marianna
L’Harmattan Publishing House
Károli Gáspár University of the Reformed Church in Hungary
Éditions L’Harmattan